Czech Center New York in collaboration with UPM, The Museum of Decorative Arts in Prague presents “Mad Silkman: Zika & Lida Ascher Textiles and Fashion,” the first U.S. exhibition focused on the life and work of Zika and Lida Ascher. The husband-and-wife duo left Czechoslovakia before the outbreak of WW2 and built a textile empire in the United Kingdom, which supplied fabrics to the international fashion industry.
The exhibition is organized under the auspices of H.E. Mr. Hynek Kmoníček, Ambassador of the Czech Republic to the United States.
The opening reception, followed by a screening of a documentary Mad Silkman (dir. Hedvika Hlaváčková, 2020, 51 min) and a brief panel discussion, will also feature singer Mirka Novak. The event will take place on Thursday, March 24, 6:30 – 9 PM.
Registration here.
Join us for a guided tour on Friday, March 25, 2022, at 2 PM with the curator of the exhibition, Ms Konstantina Hlaváčková. You can register here.
Featuring more than fifty original patterns, textile samples, photos, drawings and videos, Mad Silkman is a scaled down version of UPM’s 2019 exhibition curated by Konstantina Hlaváčková, head of the Museum’s Textile and Fashion Collection. Most items in the exhibition have been generously lent by the the Ascher Family Archive in the United States.
Zika (Zikmund) Ascher was born in Prague in 1910 into a family of Jewish textile businessmen, opening a popular textile shop with his brother, Josef at the age of 22. A successful Alpine skier, he represented Czechoslovakia in many international competitions, earning a moniker “Mad Silkman” for his daredevil style on the slopes. He married Lida (Ludmila) Tydlitátová in 1939 and left for a Scandinavian honeymoon just a few days before the Nazis invaded Czechoslovakia. The couple found their way from Norway to London making it their new home, and, in 1942, founding a textile company Ascher (London) Ltd that printed fabrics for women’s clothes.
In addition to his own lively and unique designs, Zika approached leading artists of the time—Pablo Picasso, Henri Matisse, Henry Moore, André Derain, Cecil Beaton, Alexander Calder, among others—to design prints for a collection of scarves and fashion fabrics to brighten up the dull postwar British wardrobe. Most agreed, resulting in a collection of approximately thirty extraordinary silk scarves, “the Ascher Squares,” which were soon recognized all over the world helping launch Zika and Lida’s glittering career. Ascher fabrics were immensely popular from the 1940s to the 1980s, frequently appearing in top fashion magazines, and used by European fashion houses including Christian Dior, Chanel, Balenciaga, Lanvin-Castillo, Pierre Cardin, Yves Saint Laurent, Alberto Fabiani, Ronald Paterson, Mary Quant, David Sassoon.
Lida Ascher died in London in 1983, followed by Zika nine years later. The illustrious Czech couple has been subject of a book “Mad Silkman: Textiles & Fashion” (Slovart Publishing, 2019) and a documentary.
Mirka Novak is a singer, performer and songwriter from the Czech Republic. She is releasing an experimental vocal album this summer, now touring the USA to present such a unique piece for you. This project was created on a loop station mostly as an exploration of all possible different textures of the human voice. In her understaning, the texture of voice can be linked to the texture of fabrics. For these reasons, she will perform during the opening reception of the exhibition. More information about the artist here.
Evening Dress, Vanessa for Abelann, 1970, Screen-printed Byblos dégradé on Giselle silk crepe
Fabric © Peter Ascher, Ascher Family Archive
Jardin Japonais, afternoon dress (coat not shown) Christian Dior, spring/summer 1953, Blue Bird, screen-printed silk
Fabric © Peter Ascher, Ascher Family Archive
Zika and Lida Ascher (on the left with an unknown man in Na Příkopě Street in Prague,1938), Ascher Family Archive
Sunflowers, 1947, Sigmund Pollitzer, Screen-printed rayon crepe (© Peter Ascher, Charlotta Kotik’s archive)
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Kerloch mohair, wool and nylon blend, 1958
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Octorader, mohair and wool bouclé blend, 1963
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Screen-printed Kilcardie, mohair and nylon bouclé blend, 1958
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Insect Wings and Ovals, 1947, Henry Moore, screen-printed rayon
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Blue Bird, screen-printed silk, 1953
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Screen-printed Giselle silk crepe in various colourways, 1969
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Screen-printed shantung silk with hummingbirds in two colourways, 1953
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek
Screen-printed Gruggibar dégradé cotton and rayon blend, 1970
© Peter Ascher, Ascher Family Archive
Photo © The Museum of Decorative Arts in Prague, Ondřej Kocourek